The voyeuristic gaze before the kidnap underscores her significance as a specimen to the collector. The intermingling of suspense and light-heartedness in the musical score and the constant shift of tone substantially diminishes the graveness of the crime and intentionally obscures the boundary between morality and immorality. The delicate depiction of the collector's obsessive psychology and almost admirable self-restraint, make it hard for the audience NOT to feel empathetic. This is an accomplished piece of adaptation, successfully captured the moral issues, class struggles, and artistic discussions that John Fowle
7分.
比这些年尼古拉斯凯奇演的片子好太多了，这个系列的寻宝涉及到历史，地理，人文，密码，机关等各种科学，每次根据上一条线索找到下一条线索的时候都让人很振奋，最后宝藏所在地的各种机关设置也很有特点，基本上不能一个人完成. 除了找宝藏这条主线，还有两对夫妻和好的副线也和剧情同时推进. 唯一不足的是反派最后突然良心发现舍生取义，把前期的罪行一笔勾销，编剧太胡来了. 马克·安德烈·莱克莱尔独自攀登，远离聚光灯. 这位23岁的自由主义者进行了历史上最大胆的单人攀登. 没有摄像机，也没有失误的余地，莱克莱尔提供了一种单人冒险方式的精髓.
